Re:think Mag
Re:think Mag
Re:think Mag
Re:think Mag
Editorial & Cover Illustration
Editorial & Cover Illustration
Editorial & Cover Illustration
Editorial & Cover Illustration
Editorial & Cover Illustration
Re:think Mag was created by The Atlantic's eclectic advertising team as an exercise in pursuing creative routes that deviated from our typical jobs. The first theme, Memory, tackled various questions asking if our memories are based on the brands we used and how language attrition affects one's childhood memories after immigrating to a new country.
I was responsible for establishing the typographic standard for the front of book section—table of contents, essays, how-to—as well as illustrating the cover and how-to section.
Re:think Mag was created by The Atlantic's eclectic advertising team as an exercise in pursuing creative routes that deviated from our typical jobs. The first theme, Memory, tackled various questions asking if our memories are based on the brands we used and how language attrition affects one's childhood memories after immigrating to a new country.
I was responsible for establishing the typographic standard for the front of book section—table of contents, essays, how-to—as well as illustrating the cover and how-to section.
Re:think Mag was created by The Atlantic's eclectic advertising team as an exercise in pursuing creative routes that deviated from our typical jobs. The first theme, Memory, tackled various questions asking if our memories are based on the brands we used and how language attrition affects one's childhood memories after immigrating to a new country.
I was responsible for establishing the typographic standard for the front of book section—table of contents, essays, how-to—as well as illustrating the cover and how-to section.
Re:think Mag was created by The Atlantic's eclectic advertising team as an exercise in pursuing creative routes that deviated from our typical jobs. The first theme, Memory, tackled various questions asking if our memories are based on the brands we used and how language attrition affects one's childhood memories after immigrating to a new country.
I was responsible for establishing the typographic standard for the front of book section—table of contents, essays, how-to—as well as illustrating the cover and how-to section.
Re:think Mag was created by The Atlantic's eclectic advertising team as an exercise in pursuing creative routes that deviated from our typical jobs. The first theme, Memory, tackled various questions asking if our memories are based on the brands we used and how language attrition affects one's childhood memories after immigrating to a new country.
I was responsible for establishing the typographic standard for the front of book section—table of contents, essays, how-to—as well as illustrating the cover and how-to section.
The cover is an interpretation of memory through varying fragments of found imagery. The elements in the collage like the trumpet, television, camera, microphone, plant, and the house all allude to the various articles in the feature well of the magazine.
The cover is an interpretation of memory through varying fragments of found imagery. The elements in the collage like the trumpet, television, camera, microphone, plant, and house all allude to the various articles in the feature well of the magazine.
The cover is an interpretation of memory through varying fragments of found imagery. The elements in the collage like the trumpet, television, camera, microphone, plant, and the house all allude to the various articles in the feature well of the magazine.
The cover is an interpretation of memory through varying fragments of found imagery. The elements in the collage like the trumpet, television, camera, microphone, plant, and the house all allude to the various articles in the feature well of the magazine.
The cover is an interpretation of memory through varying fragments of found imagery. The elements in the collage like the trumpet, television, camera, microphone, plant, and the house all allude to the various articles in the feature well of the magazine.
The articles in the feature well adhere to the general typographic structure, but are stylized to accentuate the story in a more evocative way.
The articles in the feature well adhere to the general typographic structure, but are stylized to accentuate the story in a more evocative way.
The articles in the feature well adhere to the general typographic structure, but are stylized to accentuate the story in a more evocative way.
The articles in the feature well adhere to the general typographic structure, but are stylized to accentuate the story in a more evocative way.
The articles in the feature well adhere to the general typographic structure, but are stylized to accentuate the story in a more evocative way.
